让·埃里翁(Jean Helion)高清作品《抽象构成》

作品名：抽象构成

原名：作文摘要

艺术家：让·埃里翁

年代：1934

风格：抽象主义

类型：抽象

介质：油画

收藏：泰特现代，伦敦，英国

1934年的《抽象构图》虽然体积不大，但却是让·海利翁20世纪30年代个人抽象风格的典范。这些形式的节奏，无论是在微妙的色彩关系和其纵向和水平方向的对比，是构成和谐的关键。一个动态的能量是由曲线和直线边缘的游戏产生，在右下半部产生显著的摆动运动。除了那些平面的颜色，三个平面（灰色，蓝色和绿色，从左下到右上排列）已经调整了阴影以暗示向外弯曲。通过允许形体在中性平面前漂浮，保持了浅空间感，并且以向构图的底部加权的方式暗示了重力。所有这些品质在更大的尺度上找到了一个更复杂的分辨率，在稍晚的画作《法国法兰西，1935》中。（Matthew Gale）

Title:Abstract Composition

Original Title:Composition abstraite

artist:Jean Helion

Date:1934

Style:Abstract Art

Genre:abstract

Media:oil

Location:Tate Modern, London, UK

Although modest in size, Abstract Composition, 1934 is exemplary of Jean Hélion’s personal abstract style of the 1930s in which characteristically linked planes are arrayed across the canvas. The rhythm of the forms, both in their subtle colour relationships and their contrasts of vertical and horizontal orientation, is critical to the harmony of the composition. A dynamic energy is generated by the play of curved and straight edges, with a notable swinging movement created in the lower right half. Alongside those with flat colours, three planes (in grey, blue and green, arrayed bottom left to top right) have modulated shading to suggest outward curvature. A sense of shallow space is maintained by allowing the forms to float in front of a neutral plane and there is an implication of gravity in the way that they are weighted towards the base of the composition. All of these qualities found a more complex resolution, on a larger scale, in the slightly later painting Ile de France, 1935. (Matthew Gale)