斯坦利·平克(Stanley Pinker)高清作品《建设。打网球的人》

作品名：建设。打网球的人

艺术家：斯坦利·平克

风格：达达艺术,波普艺术

类型：比喻

这幅画是在20世纪80年代南非公民投票的时候画的。一份日报刊登了一张折叠的南部非洲地图，我喜欢它展开时的触觉效果——这就是出发点。这些不规则形状的碎片贴在画布的边缘，是当时的省份和投票区，是从南非的胶合板模板上剪下来的。右边两个高度造型的机器人形是平衡在男人肩膀上的女人，而他又平衡在一个白色的网球上：一种不稳定的情况。他一手拿球拍，一个白球在空中嗖嗖飞过。一个黑色的网球在博茨瓦纳上空盘旋：这是南非北部国家的“风向标”。对更大的现实视而不见，这个国家的一些人在罗马烧毁的时候打网球和摆弄边界和边界。围绕着帆布的是沙子，在不同的地方发出不同的色调。土壤的质地像迷彩，或者原始的泥土没有被触动。

Title:Construction. Anyone for tennis

artist:Stanley Pinker

Style:Dada,Pop Art

Genre:figurative

This was painted at a time when South Africains were voting in a referendum in the 1980s. A daily newspaper contained a folded map of southern Africa, and I liked its tactile quality when unfolded - that was the point of departure. The irregular-shaped pieces stuck around the edge of the canvas are the provinces and voting areas of the time, cut from a plywood template of South Africa. The two highly stylised robot-like figures on the right are a woman balanced on a mans shoulders, while he in turn balances on a white tennis ball: a precarious situation. He has a racquet in one hand, and a white ball is whizzing through the air. A black tennis ball hovers over Botswana: this was a time of the winds of change in the countries north of South Africa. Blind to the larger reality, some in this country were playing tennis and fiddling with borders and boundaries while Rome burned. Surrounding the canvas is sand laid down on masonite - different tones from different places. The textures of the soil resemble camouflage, or pristine earth untouched.