保罗·德尔沃(Paul Delvaux)高清作品《森林的觉醒》

作品名：森林的觉醒

原名：我睡醒的钻头

艺术家：保罗·德尔沃

年代：1939

风格：超现实主义

类型：神话画

材质：布面油彩

标签：女性、森林和树木

尺寸：150×200厘米

收藏：芝加哥艺术学院，芝加哥，IL，美国

保罗·德尔沃在二十世纪三十年代后期创作了《森林的觉醒》（《i》），当时超现实主义艺术和思想的接触使他自己的绘画观念发生了。Delvaux尤其受到Giorgio de Chirico早期绘画的影响，Delvaux称之为“空虚的诗人”。他采用了超现实主义作为一种视觉语言，以帮助他将充满童年记忆和奇幻背景的内心世界带入生活。《森林的觉醒》.，就像他的许多其他画一样，比如.向儒勒·凡尔纳致敬.（1971），灵感来自于德尔沃斯小时候对法国小说家儒勒·凡尔纳的迷恋。这里，他描述了他对凡尔纳的《到地球中心的旅程》（1864）中场景的解释，其中主角（奥托·利登布鲁克教授和他的侄子阿克塞尔）发现了地球深处的史前森林。

Title:The Awakening of the forest

Original Title:LEveil de la foret

artist:Paul Delvaux

Date:1939

Style:Surrealism

Genre:mythological painting

Media:oil,canvas

Tag:female-nude,forests-and-trees

Dimensions:150 x 200 cm

Location:Art Institute of Chicago, Chicago, IL, US

Paul Delvaux painted The Awakening of the Forest in the late 1930’s, a time when the exposure to Surrealist art and ideas revolutionized his own ideas about painting. Delvaux was especially influenced by the early paintings of Giorgio de Chirico, whom Delvaux called The Poet of Emptiness. He adopted Surrealism as a visual language that would help him bring to life his inner world filled with childhood memories and fantastical settings. The Awakening of the Forest, like a number of his other paintings, such as Tribute to Jules Verne (1971), was inspired by Delvauxs childhood fascination with the French novelist Jules Verne. Here, he depicts his interpretation of a scene from Verne’s Journey to the Center of the Earth (1864), in which the protagonists (Professor Otto Lidenbrock and his nephew Axel) discover a prehistoric forest deep inside the Earth.