紫砂壶的艺术之美：从石瓢到风卷葵，探秘十大经典形态

[日期：2016-05-24] 来源：晒宝会 作者：佚名 [字体：大 中 小]

【石瓢】箪壶瓢饮求其乐，张力之形意趣奇。激石声宏犹远听，还凭鼎足赋新诗。

年代：清代 制造人：陈曼生 简介：壶身呈梯形，曲线柔和流畅，造型浑厚朴拙。直流，简洁见力度，多为暗接处理，溶于壶身整体。把多呈倒三角势，与壶身之型互补，形成和谐的美学效果。平压盖，桥钮，干净利索，比例恰当，充分体现出秀巧精工为上的特点。

【仿古】无鼓声威常似鼓，诗书之腹仰前贤。圆通低调勤，乐效坡翁作地仙。

年代：现代 制造人：顾景舟 简介：“仿古”是紫砂壶众多款式中一款经典壶型，此壶颈部浑圆、敦实，与下压的肩部形成缓冲；身体较大、位置矮、扁、沉。口沿宽大，有子母线严丝合缝，不透气；盖扁满，有扁圆钮。在形式与功能上皆显秀巧精工，为紫砂艺人的智慧结晶。

【供春】美者古来捧病梅树瘿从此不须哀老师应识自然大供春慧眼占头魁

年代: 明代 制造人: 龚春 简介: supply spring is a book boy of an official. Supply Spring accompanied his master to read in Yixing Jin Sha Temple, where the old monk was good at making purple sand tea sets. Supply Spring secretly learned from him and later used the clay sediment at the bottom of a basin made by the old monk to make a teapot, imitating the shape of the knots on a big silver apricot tree next to the temple. After firing, this teapot was very rustic and lovely, so it became famous as "Supply Spring Teapot". People call it after its shape.

【掇球】休指葫芦比绣球争夸闺秀存风范远眺近观叹一流

年代: 清代 制造人: 邵大亨 简介: The body is round and large with smooth curves; mouth short and front-curved with elegant lines; handle free-flowing yet full-bodied; lid slightly smaller than mouth with rounded edges forming harmony in design.

【提璧】提曲梁高身玉润，一腔神韵柔而刚犹如和氏终归赵，当赞相如妙计长

年代: 现代 制造人: 顾景舟 简介:"Ti Bi" teapots are known for their grandeur and elegance. They have strict structures that balance proportions harmoniously while maintaining coordination between virtuality and reality. Their lines are simple yet clear-cut, blending toughness with grace within simplicity.

【鱼化龙】凡鳞闪闪期羽化，大浪狂风 壮士魂修得三生功自满今朝有幸跃龙门

岁月记载了明末紫砂艺人的“龙戏海涛”茶杯，但未留下实物至今。而在清代，由邵大的设计，“鱼化龙茶杯”才成为了一个成熟并广泛传播的经典款式之一，这也是邵大的代表作之一。他以深厚技艺创作了这套作品，以表现飞黄腾达、高贵华丽的心境理想。

【井栏】合缝严丝勤守护真情大爱献黎元澄从不竭多灵气清到至深足慧源

年代: 清代 制造人杨彭年制 陈曼生铭简介：

此品泥色偏黄泛紫器表散布细小斑点，是烧结温度监界所致。这是一种简洁且优雅的设计，它采用了“井栏”的概念，将不同部分融合在一起，使得整体外观既有立体感又具有一定的抽象性。此品也展现出了极高的手工水平，是一种集内容与形式于一体的艺术品。