凡尔登的尼古拉斯(Nicholas of Verdun)高清作品《Nero Cameo, 1st C. after Christ》

作品名：Nero Cameo, 1st C. after Christ

艺术家：凡尔登的尼古拉斯

年代：c.1200

风格：莫桑艺术

类型：肖像

尼禄的浮雕肖像画是在神龛正面的可拆卸梯形面板右侧设置的。它与金星凹雕的形状和大小相同。连同1574年被盗的托勒密·卡米奥，这三件主要的古代宝石构成了神龛前方的主要焦点。有可能，他们是一个参考的头骨三博士时，可见的梯形面板被删除。阿基皮娜加冕尼禄（可以看到她头上戴着月桂花圈）的主题在中世纪解读圣经国王是德国统治者的前辈的背景下可能被重新解释。

Title:Nero Cameo, 1st C. after Christ

artist:Nicholas of Verdun

Date:c.1200

Style:Mosan art

Genre:portrait

A cameo portrait of Nero is set in the right-hand side of the removable trapezoidal panel on the front of the shrine. It is the same shape and size as the Venus intaglio. Together with the Ptolemy Cameo, which was stolen in 1574, these three major ancient gems constituted a major focus of attention on the front of the shrine. It is possible that they were a reference to the skulls of the three Magi that were visible when the trapezoidal panel was removed. The theme of Agrippina’s coronation of Nero (she can be seen holding a laurel wreath over his head) may have been re-interpreted in the context of the medieval interpretation that biblical kings were the predecessors of German rulers.