弗兰克·斯特拉(Frank Stella)高清作品《理性与肮脏的婚姻》

作品名：理性与肮脏的婚姻

艺术家：弗兰克·斯特拉

年代：1959

风格：极简主义

类型：抽象

介质：搪瓷,帆布

标签：单色的

收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国

《理智与方形的婚姻》是艺术家开创性的系列黑色绘画作品，由黑色倒置的平行U形组成，U形包含由未涂布细线分隔的条纹。重复的几何图案，加上作品缺乏形象或表现力的笔触，促使观者认识到它是一个被油漆覆盖的平坦表面，而不是其他东西的描绘，颠覆了绘画作为幻觉之窗的百年观念。三维空间。黑画朴实无华，对媒介的非个人化处理，以及重复几何形式的使用，使得它们对极简主义的出现产生了巨大的影响，极简主义的实践者同样追求观看者与艺术对象的纯粹互动。与其他三幅黑色绘画一起，这项作品被列入了十六个美国人的精选MOMA展览。斯特拉似乎否认了这幅画令人回味的书名，他发表了他关于这幅画的著名格言“你看到的就是你看到的”。

Title:The Marriage of Reason and Squalor

artist:Frank Stella

Date:1959

Style:Minimalism

Genre:abstract

Media:enamel,canvas

Tag:monochrome

Location:Museum of Modern Art (MoMA), New York City, NY, US

Belonging to the artists groundbreaking series Black Paintings, The Marriage of Reason and Squalor is composed of black inverted parallel U-shapes containing stripes separated by thin lines of unpainted canvas. The repeated geometric pattern, in combination with the works lack of figuration or expressive brushwork, prompts the viewers recognition of it as a flat surface covered with paint, rather than a depiction of something else, upending the centuries-long concept of painting as window onto illusionistic three-dimensional space. The Black Paintings stark simplicity, impersonal handling of the medium, and use of repeated geometric forms made them enormously influential on the emergence of Minimalism, whose practitioners likewise pursued the viewers pure interaction with the art object. Along with three other of the Black Paintings, this work was included in the seminal MoMA exhibition Sixteen Americans. As if denying the paintings evocative title, Stella issued his famous maxim What you see is what you see, in relation to this painting.