亚历山大·考尔德(Alexander Calder)高清作品《Red Lily Pads (Nénuphars rouges)》

作品名：Red Lily Pads (Nénuphars rouges)

艺术家：亚历山大·考尔德

年代：1956

风格：机动艺术

类型：雕塑

收藏：所罗门古根海姆博物馆，纽约市，纽约，美国

在20世纪30年代后期，考尔德开始赞成将植物和动物推荐给星系主体的形式。像他经常一起展出的超现实主义艺术家一样，卡尔德对生物形态和意外关系很感兴趣。考尔德的手机——带有随机组合和再组合的个体元素——创造了一首意想不到的诗，类似于曼雷的《在解剖桌上遇到缝纫机和雨伞》或阿普的机会拼贴画，以及模仿不可预知的、经过的动画。自然界的NTS。卡尔德一生都在他的非比喻性作品中继续提到自然世界，就像在巨大的移动式红百合垫中一样。它的卵形盘在短暂的排列中平行于地面漂浮，就像树叶掠过水面。

Title:Red Lily Pads (Nénuphars rouges)

artist:Alexander Calder

Date:1956

Style:Kinetic Art

Genre:sculpture

Location:Solomon R. Guggenheim Museum, New York City, NY, US

In the late 1930s, Calder began to favor forms that suggested plants and animals over galactic subjects. Like the Surrealist artists he often exhibited alongside, Calder held an affinity for biomorphic forms and accidental relationships. Calders mobiles—with individual elements that combine and recombine at random—create a poetry of the unexpected similar to that of Man Rays “encounter of a sewing machine and an umbrella on a dissecting table” or Arps chance collages, as well as mimic the unpredictable and passing movements of nature. Calder continued to reference the natural world in his nonfigurative work throughout his life, as in the monumental mobile Red Lily Pads. Its ovoid disks float parallel to the earth in fleeting arrangements, like leaves skimming the surface of water.