作品名称：三千大千世界之七

作品分类：版画

创作年代：2017

作品尺寸：51×40cm

作品材质：铜版

作品描述

当今建筑的钢筋水泥，让本该有的东西慢慢磨灭，像蜂巢一样的钢筋水泥使人感觉到了渺小。社会改变了人，何时能看见世界让人改变。科学对于世界或者宇宙中的万事万物都执著为实有，虽然现代科学研究得很深刻，体系更加庞大，理论也越来越抽象飘渺，但它总执著万事万物都有一个不可变动的本体实性存在。Works Description: Todays construction of reinforced concrete, so that something must have been wiped out, like a reinforced concrete like honeycomb people feel very small. Society changed the people, when to see the world people change. Science is dedicated to all things in the world or in the universe. Although the modern scientific research is profound and the system is more extensive, the theory is more and more abstract and ethereal, but it always has everything that has an immutable body exist.

导师点评

导师评语：快速急增的钢筋水泥给人类带来繁荣景象的同时，也带来了生存空间的诸多问题。作者通过象征隐喻的手法，把几何形体的的切割和排列组合作为形式语言来营造气氛，将现代元素与传统元素相结合，使绘画语言产生了碰撞的效果，这些景观来自于现实社会和虚拟创造，表达了作者对社会发展与社会变迁所产生的某种焦虑。而主题借用佛语传达了对过去、现在和未来的时间流逝的思考，对社会发展亦带着憧憬与期待。Tutor comments: rapid increase in steel reinforced concrete to bring prosperity to the scene at the same time, but also brought a lot of living space problems. By combining metaphorical approach and the combination of geometric shapes and forms as a formal language, the author combines the modern elements with the traditional elements to make the painting language have the effect of collision. These landscapes come from the reality society and the virtual creation , Expressed the author of social development and social change caused by some kind of anxiety. The theme of the Buddha language to convey the past, present and future time of the passage of thinking, social development also with longing and expectations.