乔治·格罗兹(George Grosz)高清作品《适合主动服务！（信仰治疗师）》

作品名：适合主动服务！（信仰治疗师）

原名：kriegsverwendungsf?hig

艺术家：乔治·格罗兹

年代：1916—1917

这幅画描绘了一位医生用耳朵喇叭检查一具骨骼，发音“KV”不关心诊断，周围的官员似乎无聊或专注于其他事项。这个场景指的是德队遭受重大损失后，在战争快结束时，被遣散的士兵被绝望地召回。格罗斯本人于1917年返回前线，但四个月后因精神疾病获释，这使这个话题具有很大的个人意义。格罗斯对怪诞的嗜好要归功于德国哥特式传统所开创的先例，他常常认为这是灵感的源泉。格罗斯最著名的是他的绘画和纸上作品，而《信仰治疗者》是他高度化的风格的典范，与新萨希里奇凯特（新客观主义）和柏林达达集团的理想重合。

Title:Fit for Active Service! (The Faith Healers)

Original Title:Kriegsverwendungsf?hig

artist:George Grosz

Date:1916 - 1917

This work depicts a doctor inspecting a skeleton with an ear trumpet, pronouncing him KV (short for kriegsverwendungsfahig, or fit for combat). Unconcerned with the diagnosis, the surrounding officers appear either bored or absorbed in other matters. The scene refers to the desperate recall of discharged soldiers toward the end of war, after the German forces suffered heavy losses. Grosz himself had been forced to return to the front in 1917, only to be released four months later for mental illness, lending the subject a great deal of personal significance. Groszs penchant for grotesquerie is indebted to the precedent set by the German Gothic tradition, which he often looked to as a source of inspiration. Grosz is best known for his drawings and works on paper, and The Faith Healers is an exemplary work of his highly politically charged style that overlaps with the ideals of both Neue Sachlichkeit (New Objectivity) and the Berlin Dada group.