“中国当代影像艺术年鉴”由上海多伦现代美术馆发起并主办，是一个以中国当代影像艺术实践的第一线观察和资料收集为基础，开展现象分析与整理，进行文献及作品的展示与交流的平台。
年鉴力求日积月累、长久而深入，通过稳定而有效的工作机制，逐步发展成为中国当代影像艺术最全面而详细的文献库。项目是按每个年度为周期进行作品征集，征集到的作品信息将会收录在【中国当代影像艺术年鉴】的资料库中储存。最终将以线上及线下的文献库、出版物、展览及衍生活动等各种形式及时反映中国影像艺术的最新实践和成果。
Annual Report of Chinese Contemporary Photography and Video Arts(hereinafter referred to as Annual) was initiated and sponsored by Shanghai Doland Museum of Modern Art. It is a platform based on the first-line observation and data collection of Chinese contemporary video art practice, for analyzing and sorting out phenomena, displaying and exchanging documents and works.
The Annual strives to accumulate, for long and in depth, and gradually develop into the most comprehensive and detailed archive of Chinese contemporary video art through a stable and effective working mechanism. The project is a call for entries on a yearly cycle. Information of the works collected will be stored in the database of the Annual,and eventually to reflect the latest practice and achievements of Chinese video art by various forms such as online and offline archives, publications, exhibitions and derivative activities.
征集内容
中国当代影像艺术年鉴（2023）征集内容为2023年1月1日至12月31日在中国境内画廊、美术馆、纸质或电子媒体，以及其他公共空间中所发布和发表的影像艺术作品。
“影像艺术”在此包括摄影、录像艺术、新媒体和交互媒体，与影像相关的多重媒体结合的作品，以及在艺术空间中获得呈现的动画、情节片和纪录片等类型的作品。
Contents:
The Annual(2023) takes the photography and video art works released and published in galleries, art museums, paper or electronic media, and other public spaces in Mainland of China.
Photography and video art refers to the forms of work not only including photography, video art, new media, interactive media,and works combining multiple media related to photography and video art, but also animations, melodramas, and documentaries presented in art spaces.
投稿方式
投稿方式：电子邮箱投稿
邮箱地址：CCPVA@doland.com.cn
截稿日期：2024年1月11日
Methods:
E-mail: CCPVA@doland.com.cn
Closing Date: January 11, 2024
投稿要求
1、邮件标题：2023年鉴+艺术家姓名+作品名称+手机号
2、投稿资料以附件内容为准，附件包括：
a. 作品信息表（样表下载链接），请用中英文双语填写：
作品信息表样表下载链接
b. 网盘链接：（网盘内的文件需注明：全片/样片，具体要求如下）
——静态摄影作品3-5张（电子文件尺寸：JPG格式不大于5MB，请勿发送TIF和RAW格式文件）
——动态影像作品（文件格式要求：MP4格式、文件大小≤2G、分辨率≥720p、帧率≥25、音频格式为MP3双声道格式）
——生成类或程序类作品（需说明作品运转的软硬件条件，最好有演示版）
——2-3张包含该作品的展览现场图片，或媒体发表版面翻拍/截屏
Requirements:
1. E-mail Title: 2023 The Annual+Artist’s Name+Title of Work(s)+Phone Number
2. Submission information is subject to the attachment, which includes:
a.information sheet of works( please scan the QR code ),please complete in both Chinese and English
b.Netdisk Link:(please specify:Full/Sample Films,specific requirements are as follow)
--3-5 pieces of still photography(size:≤5Mb in JPG, TIF and RAW files are unacceptable)
--Dynamic image works(files requirement:in MP4,size≤2G,resolution ≥720p, frame rate ≥25, audio format in MP3 dual-channel format)
--Generative or programmatic works(A description of the hardware and software in which the work will operate is needed, preferably with a demo version)
--2-3 pictures of the exhibition site containing the work, or remakes/screenshots of the media release page
特别声明
投递本年鉴的作品均为电子版稿件,对于作品所涉及名誉权、肖像权、著作权以及在投稿资料中引用数据的准确性等法律责任均由投递作者本人负责;年鉴项目组有权将入编资料用于研究、出版及相关宣传等非营利用途;本征集启事最终解释权属于年鉴项目组;凡参与者均视为同意本函要求。感谢您的关注、支持和参与!
Special Acknowledgement:
The works submitted to the Annual should be in electronic edition, and the artist should be responsible for any legal responsibilities related to reputation, portrait rights and copyright and the accuracy of the data quoted in the submission. The Annual project team reserves the right to use the compiled materials for non-profit purposes such as research, publication and related publicity.The final authority for the interpretation of this call for entries belongs to the Annual project team. All participants are deemed to have agreed to the requirements of this letter. Thank you for your attention, support and participation!
中国当代影像艺术年鉴顾问委员会委员
Members of the Advisory Committee ofAnnual Report of Chinese Contemporary Photography and Video Arts
朱青生
LaoZhu
北京大学教授，德国考古学院通讯院士，上海外国语大学世界艺术史研究所所长。主持中国现代艺术档案（1986年起），主编《中国当代艺术年鉴》（2005年起每年一卷），策划“中国当代艺术年鉴展”（2016年起）。长期领导《汉画总录》编辑计划，已正式出版63卷（截止到2022年），主编《中国汉画研究》学刊。曾任国际艺术史学会主席期间（2016-2021），领导国际艺术史界联合建立全球图像链接系统，同时推进在世界艺术史研究理论与方法的总结与更新。著有《没有人是艺术家也没有人不是艺术家》、《十九札》等。
LaoZhu is a Professor in Peking University, Corresponding Member in the German Archaeological Institute and Director of the Institute of World Art History in Shanghai International Studies University. He has presided over Archives of Modern Chinese Art since 1986; has edited Annual of Contemporary Art of China(one volume per year) since 2005; and has curated the exhibition of Annual of Contemporary Art of China since 2016. He has led the editing plan of Han Painting General Record for a long time, which has officially published 63 volumes by 2022. He is also editor in chief of Chinese Painting Research journal. During his presidency of International Society for the History of Art (2016-2021), LaoZhu led the international art historical community to establish a global image linking system, while advanced the conception and renewal of theories and methods in the study of world art history. His publications include No Man is an Artist and No Man is not an Artist and Nineteen Notes.
张培力
Zhang Peili
生活工作于杭州。中国美术学院教授。1985、86年组织参与“85新空间”展及“池社”活动。主要作品有《X?》系列《30X30》《水－辞海标准版》《（卫）字3号》《不确切的快感》《遗言》《阵风》《碰撞的和声》等，《30X30》（1988）被艺术界认为是中国最早的录像艺术作品。强调艺术对于现实生活的关照和干预，强调艺术语言的批判和自我批判性。主要从事以录像、文字、声音装置、机械装置、摄影为媒介的艺术创作。从事艺术教学工作三十余年，于2003年在中国美院建立新媒体系，开始了中国艺术院校中最早的新媒体艺术教育。曾三次参加威尼斯双年展，及里昂双年展、悉尼双年展、光州双年展、釜山双年展等重要国际展事；曾在纽约现代艺术博物馆、芝加哥美术馆、比利时根特当代美术馆举办个展。获AAC年度艺术家大奖，CCAA终身成就奖。
As a professor at China Academy of Art, Zhang currently lives and works in Hangzhou. In 1985 and 1986, he organized and participated in the 85 New Space exhibition and activities of the artists group Pond Society. His major works include Rest, X? series, 30x30, Water: Standard Version from Cihai Dictionary, Document on Hygiene No.3, Uncertain Pleasures, Last Words, A Gust of Wind and Collision of Harmonies, etc. Among them, 30x30 (1988) was regarded as the earliest video artworks in China. Zhang emphasizes the care and intervention of art in real life and emphasizes the criticism and self-criticism of artistic language. He is mainly engaged in works with the media including video, text, sound installation, mechanical installation and photography. Having engaged in art teaching for more than 30 years, he established the New Media Department at China Academy of Art in 2003 and began the earliest new media art education in Chinese art colleges. He has participated in Venice Biennale three times, as well as in other major international exhibitions including La Biennale de Lyon, the Sydney Biennial, the Gwangju Biennial, the Busan Biennale, etc. Zhang has held solo exhibitions at renowned institutions such as Museum of Modern Art New York, Art Institute of Chicago, and S.M.A.K. in Ghent, Belgium. Zhang has achieved the ACC annual artist award and CCAA lifetime achievement award.
顾铮
Gu Zheng
复旦大学新闻学院教授，复旦大学信息与传播研究中心研究员，复旦大学视觉文化研究中心副主任。1998年毕业于日本大阪府立大学人类文化研究科比较文化研究专业，获学术博士学位。曾任第56届世界新闻摄影比赛终评评委。2017-18年度哈佛燕京访问学者。2019年德国海德堡大学第九届中国艺术史海因茨·葛策杰出客座教授（9th Heinz Götze DistinguishedVisiting Professor of Chinese Art History）。2020、2021、2022集美•阿尔勒国际摄影季艺术总监。曾获得中国摄影金像奖（理论评论）（2001年）及第一届沙飞摄影奖学术奖（2007）。著有多部专著，并在国内外策划多个当代摄影及艺术展览。
Gu is a Professor of School of Journalism, Researcher of Information and Communication Research Center, and Deputy Director of Visual Culture Research Center in Fudan University. He graduated from the Department of Human Cultural Studies, Osaka Prefecture University in 1998, with an academic doctorate degree majored in Comparative Cultural Studies. He was a member of the final jury of the 56th World Press Photo Contest and a 2017-18 Harvard Yenching Visiting Scholar, as well as Distinguished Visiting Professor of Chinese Art History of 9th Heinz Götze in 2019. Gu was Artistic Director of the Jimée-Arles International Photography Season from 2020 to 2022. He has received the Golden Image Award for Chinese Photography (Theory Review) (2001) and the First Shafei Photography Award Academic Prize (2007). He is the author of several monographs and has curated several contemporary photography and art exhibitions in China and abroad.
张献民
Zhang Xianmin
任教于北京电影学院和中国美术学院电影学院。近年监制或出演电影《塔洛》《家在水草丰茂的地方》《柔情史》《东北虎》《云霄之上》《内沙》《金陵范特西》《日常生活》等。曾任亚太电影奖、亚洲纪录片基金等评委。致力于推广中国艺术电影，在十多个国家策划举办过中国电影专题展映。
Zhang is a Professor and teaches in Beijing Film Academy, and the Drama and Film Department of China Academy of Fine Arts. In recent years, Zhang has produced or starred in films including Tarlho, Home Road, Girls Always Happy, Manchurian Tiger, Beyond Clouds, The Land Behind, Nanjing Fantasy, Daily Life, etc. He was a judge of Asia-Pacific Screening Awards (APSA) and Asian Network of Documentary (AND). Zhang is dedicated to promoting Chinese art films. He has planned and held special exhibitions of Chinese films in more than ten countries.
执行总监/专业工作委员
Executive Director/Working Committee Member
施翰涛
Shi Hantao
生活工作于上海。芝加哥艺术学院艺术管理与政策研究硕士。曾在FutureLab: 艺术与设计教育博览会、上海双年展、上海种子、瑞象馆、新时线媒体艺术中心、上海外滩美术馆等艺文项目和机构中从事展览和公共活动的规划与执行，并在艺术、摄影及艺术体制领域开展研究和写作。
Shi currently lives and works in Shanghai. He has MA in Arts Administration and Policy Studies, School of the Art Institute of Chicago. He has been engaged in the planning and execution of exhibitions and public activities in FutureLab: Art and Design Education Expo, Shanghai Biennale, Shanghai Project, Ray Art Center, Chronus Art Center, Shanghai Rockbund Art Museum and other art and cultural projects and institutions. He also researches and writes in the fields of art, photography, and art system.
专业工作委员
Working Committee Members
朱炯
Zhu Jiong
工作生活于北京。北京电影学院摄影学院副教授，博士。从事摄影高等教育二十余年，在教学的同时长期从事摄影创作、评论、艺术策展和影像文化研究工作。
Zhu serves as Associate Professor with a Ph.D. at Beijing Film Academy School of Photography. She currently lives and works in Beijing. Having been engaged in the higher education of photography for more than 20 years, she has long focused on photography creation, criticism, art curation and video culture research.
刘媛
Liu Yuan
工作生活于重庆，现任职于四川美术学院美术馆，兼任中国艺术创作数字影像中心学术专员。曾先后任职于《当代美术家》编辑部、坦克库重庆当代艺术中心。
Liu currently lives in Chongqing and works in the Art Museum of Sichuan Fine Arts Institute, and concurrently serves as the academic specialist at the Digital Image Center for Chinese Artistic Creation. She successively worked in the editorial department of Contemporary Artist and Tank Loft - Chongqing Contemporary Art Center.
郑梓煜
Zheng Ziyu
工作生活于广州。现任中山大学新闻传播学院副研究员。曾任南方都市报视觉中心高级编辑。现聚焦于视觉传播研究、艺术批评写作、当代摄影研究及策展，曾获第七届“啄木鸟”杯中国文艺评论奖、中国优秀摄影策展人飞马奖提名。
Zheng now lives and works in Guangzhou. He is currently Associate Researcher at the School of Journalism and Communication of Sun Yat-sen University. He was senior editor at the Visual Center of Southern Metropolis Daily. Zheng currently focuses on visual communication research, art critical writing, contemporary photography research and curation. He received the Seventh Woodpecker Chinese Literary Critic Award and was nominated for the Pegasus Award for Chinas Outstanding Photography Curator.
祖宇
Daisy Zu
工作生活于杭州。摄影史研究者、媒介创作者、策展人。浙江工商大学副教授、硕士研究生导师。中国美术学院设计学入站博士后，中国美术学院艺术学理论博士、英国伦敦大学图像传播硕士。浙江省高校领军人才“青年优秀人才”。纽约非盈利艺术机构NO LONGER EMPTY 驻地策展人。
Daisy now lives and works in Hangzhou. She is Associate Professor, Master Tutor and teaches at Zhejiang Gongshang University. She is also a researcher in the history of photography, a media creator, and a curator. Her academic research focuses on image culture and media communication. Daisy is an inbound postdoctoral fellow in Design and a Ph.D. in Art Theory at the China Academy of Art. She is selected as an Youth Outstanding Talent of the Cultivation Program for Leading Talents in Colleges and Universities in Zhejiang Province. She is curator-in-residence at NO LONGER EMPTY, a non-profit art organization in New York.